While the model of "free" music market is crumbling under the weight of its own excesses and birds of prey fight for their share of dead flesh, a new approach starts to consolidate: musicians who offer their work offering to the public. The phenomenon goes beyond a simple way to advertise and is a form of dissent whose consequences could be (and I would love it were) a shift in focus of interest in reality more interesting than the fucking system tries to impose.
part of this reflection to present the new Downliners Sekt revolution because I think part of not only the form of vehicular content but the content itself. With the eloquent title "we make the successes, not the public," the anonymous producer presents the second part of a trilogy that began with "hello lonely, hold the nation " an example of what electronic music can and should be: a search for missing sounds, a leap of faith, a daring exploration into the darkness of the unknown. And that's what makes it irresistible to the proposal, which does not conform to any genre, which is something never heard before. Unpredictable music that can not dance because their rates are impossible to follow, but that is not ambient because it calms you and demands you listen actively.
With regard to the implications of how to publish, the election of the EP format means that the arc of plus or minus one year made three deliveries (instead of a single LP), tripling its presence, giving you time to assimilate the music and leaving you with little taste. That is something.
A taste
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